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Vol. 5, No. 4, April 1994 The big pictureGrappling with photo archives puts publishing systems into focusDigital ’94 -- this year’s iteration of the fine institution of putting photographers, editors and systems people in a big hotel to let them hassle out the issues of moving to digital news photography -- came off without a hitch. Well, Consultant Neil Chase’s PowerBook got stolen -- but elsewise it was OK. The folks from the Miami Herald put on a great program and found a great hotel. The National Press Photographers Association should be proud of the continuing series of news photographers and executives who volunteer their time to assemble the program and tackle the logistics of such a big event. As I relate inside, the heady days of breakneck change are pretty much past, leaving us with incremental change rather than the institutional chaos that publications have gone through in the last couple of years. As I flew from Miami home to San Francisco, I thought that not much had happened at this year’s conference. But then it struck me: I had heard two words that pretty much sum up publishing in the future. Recycling Center. They were coined by Nora Paul, the former chief librarian of the Miami Herald who is now at the newspaper think tank, the Poynter Institute (and is a contributor to this fine publication). Paul’s premise is that when we move to on-line, fax-on-demand or CD-ROM publishing, we'll need all our material -- including photo outtakes and reporters' notes -- to be able to make these new kinds of publications. And the place from which all these elements will be retrieved will be the Recycling Center. You'll be hearing more about this concept in the months to come, but another thought occurred to me shortly after I took my first tour of the Recycling Center: We spent years dealing with text, and text archives, without formulating any true notion about the future of publishing -- but when we took up photo archiving, the rules changed. It has been the development of picture archives that has broken down the door to new publishing. The counterpoint to that revelation is this: In a Digital ’94 panel on picture archiving systems, only three suppliers were represented -- the Associated Press, Mead Data Central and T/One. Where were the traditional suppliers of newspaper text archiving? Where were the traditional suppliers of our publishing systems? I saw a demo of a very slick system off the floor and a few weeks later saw another slick system, but right now you only have three choices. Not much on which to build our industry’s future. Inside, you'll find a story about how free-lance photographers are learning to contribute digital photos to newspapers. Bob Hollis, a longtime friend who makes his living as a free-lance writer (he has frequently contributed to MacWeek) and a part-time copy editor (at the ever-popular San Francisco Examiner), writes of the trials and tribulations of submitting digital free-lance photos. Correspondent L. Carol Christopher had a glimpse of the future at a symposium she attended at the Freedom Forum Media Studies Center at Columbia University in New York. She and other doctoral students from around the country met with news industry leaders to discuss the future. Her report is illuminating. To be able to discuss the big picture, sometimes you have to look at the little picture as well: Bill Woodruff of the Phoenix Newspapers handled our coverage of the spring meeting of the System/55-System/25 Users Group Inc., held in Sacramento in early March. Woodruff reports that although System Integrators Inc. seems to be well balanced to move beyond its Chapter 11 reorganization, users were livid to learn that SII had no Macintosh strategy in its reorganization plan. Once again, just a few industry meetings help put the big picture into slightly better focus. -- David M. Cole Other stories: Illustration : Joe Shoulak From THE COLE PAPERS, April 1994, Copyright (c) 1994, All Rights Reserved. |
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